Circuit Fantôme prelude
Donnerstag, 22. Februar 2024 - 19:00 Uhr
Kulturzentrum 4lthangrund
Circuit Fantôme prelude,
a co-production of the Floating Sound Gallery Vienna and Belgian Federation for Electroacoustic Music (FeBeME-BeFEM),
in cooperation with Alcôme.
Curated by Anton Iakhontov (Patrick K.-H.) and Todor Todoroff.
Supported by Stadt Wien / MA7 Alsergrund.
Coordination - Petra Leisentritt.
22 and 23 February,
doors 18:30, concert 19:00-22:00
Althangrund für Alle, Augasse 2-6, 1090 Vienna
22 February:
Qingqing Teng, Memento, 05'09", 2019
Qingqing Teng, People's Pleasure Park, 15'02", 2021
Qingqing Teng, Yin System, 10'01", 2023
Todor Todoroff, Rupture d’équilibre, 10’17”, 1997
Todor Todoroff, Solo Feu, 04’36”, 2001
Todor Todoroff, Voices Part III - Resistance, 13’31”, 2020
Todor Todoroff, Voices Part IV - Hallucinations (world premiere), about 09:00, 2024
Todor Todoroff, Tant de souvenirs… 05’45”, 2022
Todor Todoroff, Kinetic Reflections, 11’31”, 2023
Patrick K.-H. Postards series, 39’50”, 2022-2024
Victoria Morgunova, C.R.N.S. 40’55”, 2020
23 February:
Sophie Delafontaine, Creux-du-Van, 11’56”
Sophie Delafontaine, Ressort spiral, 10’35”
Sophie Delafontaine, Ondiésop, 07’03”
Sophie Delafontaine, Gris souris, 10’03”
Sophie Delafontaine, Trouée, 11’24”
Boris Shershenkov, Lobus Temporalis. Pt. 1: Neural Oscillation, 20’, 2024
Elizabeth Anderson, L’Heure bleue: renaître du silence, 16’38”, 2016
Laryssa Kim, Foresta magique, 07’58”
Daniel Perez Hajdu, Abstraire, 10’53”, 2014
Gaëtan Arhuero, Funambule, 09’18”
Raphaël Vens, Dans les spires du serpen, 09’00”, 2022
Circuit Fantôme - series of multiphonic / acousmatic listening sessions and performances, organized by the Floating Sound Gallery Vienna and co-curated by composers Anton Iakhontov (Patrick K.-H.) and Daniel Teruggi, carried on in Vronihof art-space from 2022. Currently in between Seasons 3 and 4, in prelude mini-festival, we present Crème de la Crème - picks from previous and future shows together with our regular partners, the Belgian Federation for Electroacoustic Music (FeBeME-BeFEM).
Circuit Fantôme is a descriptive characteristic, accidentally coined by François Bayle during the round table at the first St. Petersburg ACOUSMONIUM festival in 2018. Contemplating on the issues of habitat of the electroacoustic music, he underscored that, being born to parents, that are technology and music, it remains unrecognized by neither of them, and thus doomed to maintain the roaming existence, hijacking the existing infrastructure of the existing institutions, functioning as a ghost circuit - “circuit fantôme”.