Between Cultural Labor and Political Struggle: Music and Class

The 2024 MMRC Lecture
Musik Vortrag
➜ edit + new album ev_02xvdMSZSMLbFKoFYOXZJl
1 Termin im Archiv
Montag 14. Oktober 2024
14. Okt. 2024
Mo
19:00
Vortrag
Between Cultural Labor and Political Struggle: Music and Class
eSeLschwarm – für Community Perspektiven

The 2024 MMRC Lecture
with Ana Hofman, Anjeline de Dios and Mata Granata feat. MC Andja Mitraljeza

doors 18.30, starts 19.00
Joseph Haydn Hall @mdw (Anton-von-Webern-Platz 1, 1030 Vienna) and online!
Free entry, please register here: https://forms.mdw.ac.at/frontend-server/form/provide/103/

In view of the crisis-ridden character of global capitalism, the concept of class is receiving renewed attention across many scholarly disciplines. The 2024 MMRC Lecture invites different perspectives on the connections between class and music as a political instrument, an economic power relation and a creative, shared experience of self-determination and resistance across different geographical and historical contexts.

In her keynote, ethnomusicologist and anthropologist Ana Hofman (Institute of Culture and Memory Studies at the Research Centre of the Slovenian Academy of Sciences and Arts, Ljubljana) focuses on the amateur-professional nexus as one of the key grounds for musical actualizations of the ideas of class struggle to provide conceptual framework for listening for (in)equality beyond an exclusive focus on a subject position towards historically situated processes of social stratification.

Cultural geographer and artist Anjeline de Dios (Manila) extends these reflections in her response by analyzing the class hierarchy of race as experienced by overseas Filipino musicians performing Western songs in leisure venues around Asia. Understood as a form of care or service work, their livelihood is marginalised in the global music industry, however they find ways to challenge these hierarchies.

They are complemented by a musical contribution of Mata Granata (Croatia/Vienna) feat. MC Andja Mitraljeza, who raps about class as a shared experience of people from different cultural contexts, class struggles and the invisibility of migrant labour.

While all of the contributors focus on different geographical and historical contexts, their talks and music are intended to be starting points of a conversation about interconnections – between class and race, the histories of the so-called former Second World and the Global South, state socialism and overseas colonialism, struggles and mobilities.

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